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My living room is decorated with four (4) geometric paintings.
Channing Smith /Allure
The coffee mug I’m sipping from as I write this is adorned with minimalist drawings of boobs.
I have an abstract portrait of my favorite film shot tattooed on my forearm.
In the video, Wolak can be seen swiping theMaybelline New York Age Rewind Concealerfirst under her eyes.
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She repeats the process on the other side of her face.
It’s that key in of oddly-satisfying movement that makes clips like this go viral.
It doesn’t hurt that after some blending, Wolak reveals a damn near-perfect contour.
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“I had higher cheekbones, straighter brows, a squared-off forehead, and a sharper jawline.
Instead of unintentionally masking my natural bone structure, I learned to enhance and embrace it.”
“That creates the sharp, chiseled appearance you see in my video,” she adds.
“From there, I take a sponge to blend the edges and soak up any excess product.
This leaves you with a defined and airbrushed face.”
Back then, Bandy described the process of applying makeup as creating a “Personal Sculpture Portrait.”
“I think if you are going for a super made-up look, this is perfect.
It is a lot of concealer [to use].”
“I find that it allows for more crisp lines and an easier blend,” she says.
When I tried using a creamy formula, the product slid all over my face.
After that, I started blending with my makeup brush.
With each tap, I saw the concealer start to fade into my face and the contours emerge.
Quite suddenly, and against all odds, I look chiseled.
I especially liked how the high points of my cheeks stood out.
But I certainly felt the heaviness of the product, and that wasn’t exactly comfortable.
I ended up washing off the look after about ten minutes.
It just felt too stifling on my skin.
Done reading but want to hear more about the other foundations we’ve been loving recently?
